画廊位于柏林和卡尔斯鲁厄，维持着多样化的展览计划，包括画廊艺术家的个人展览，团体展览和特殊项目。画廊将绘画，素描，雕塑，摄影，视频电影，表演和基于装置的作品完美地结合在一起。画廊一贯对所有展览的策展方面保持高度关注和投入。 该画廊的起源可以追溯到1997年，当时Jochen Meyer和Thomas Riegger的AND THEN THERE WERE NONE NONE开幕了他们的画廊，该展览展示了Marzona系列的作品。该展览是针对某个时代而构思的，同时也是画廊计划的基准，在该计划中，画廊试图利用这些位置的政治和美学潜力与现在联系起来。在强调艺术的解放潜力并强调其生存能力的概念位置的同时，人们始终意识到艺术作为人类劳动的产物，也反映了社会的依附状况。 将来自不同世代的国际艺术家并列在单独和策展的群展中，将这些兴趣付诸实践。参加国际艺术博览会以及2008年在柏林开设第二家陈列室，使画廊和艺术家们有了国际背景。迈耶·里格（Meyer Riegger）代表二十多位不同世代的艺术家，并从一开始就促进并陪同了其中许多人。 与各种艺术家长期合作所产生的基本连续性，与不断整合的新艺术地位背道而驰。画廊的目的是在研究当代问题的同时关注艺术的历史和未来发展。 Located in Berlin and Karlsruhe the gallery maintains a diverse exhibition program with solo exhibitions of the gallery artists as well as group exhibitions and special projects. The gallery deals in a distinctive combination of painting, drawing, sculpture, photography, video film, performance and installation-based work. The gallery has consistently maintained a very strong focus and commitment to the curatorial aspect of all its exhibitions. The origins of the gallery date back to 1997 when Jochen Meyer and Thomas Riegger opened their gallery with AND THEN THERE WERE NONE, an exhibition showing pieces from the Marzona Collection. Conceived in reference to a certain era, the exhibition was at the same time a benchmark for the gallery program, in which the gallery has tried to use the political and aesthetic potential of these positions as a link to the present. The focus on conceptual positions that emphasize the emancipatory potential of art as well as underlining the transcendent capacity of their existence, while always remaining aware that art, as a product of human labor, also reflects society's condition of dependency. The juxtaposition of international artists from different generations in solo and curated group shows puts these interests into practice. Participation in international art fairs and the opening of a second showroom in Berlin in 2008 has granted the gallery and the artists an international context. Meyer Riegger represents some twenty artists from different generations and has promoted and accompanied many of them from their beginnings. The basic continuity generated by longstanding cooperation with various artists is set off against the ongoing integration of new artistic positions. The gallery's intention is to focus on the history and future development of art while delving into contemporary issues.