The intense collision between the "taken for granted" bestowed by the public and the "absurd" experienced by individuals has led to the collapse of the "boundaries" that support our cognition. We are forced to confront the probabilistic nature of existence. The moment when "boundaries disappear". It is not an external disaster, but a dramatic shock in internal cognition. In the face of the ruins of meaning, artists often have the responsibility to repeatedly present the "disappearance of their own boundaries", and to present their independent and true dialectics against chaos. Feng Yan focuses on the tension between public significance and disorder. Sort out individual experiences through sensory experiences. Sun Ke focuses on the transformation of matter and memory, the fragility of metaphorical meaning itself and the possibility of its reconstruction. Su Yuming decomposed the boundaries with the sequence of the spectrum, and the gentle kinetic energy firmly resisted. Toi, with her visual language full of dislocation and estrangement, reveals the cracks beneath the surface of daily life.