原野日本建筑理论家五十岚太郎在提及城市空地时称之为“原野”。这些没有确定功能或以待开发的场所，是一种具有更多可能性和 想象空间的场所。在“原野”系列的雕塑中，在不同的公共空间出现的结构(物品)，大门，路灯，滑梯，公园椅，凉亭，树林， 栅栏，阳伞，代表了不同的场所，这些结构(物品)属于特定场所，代表了场所的功能性，也是对身体的指引。通过这些有使用 功能的结构(物品)，在公共场所中寻找身体的私密性，所以，这些看似无人的场景，实际上充满了人的身体和场所的关联性。FieldJapanese architectural historian and critic Taro Igarashi speaks of wilderness, where specific functions are wanting, or is to be developed. It is a place of possibilities and imaginations. In the Field series, objects and structures found and installed in different public spaces such as gate, street lights, playground slides, park chair, pavilion, woods, fence, umbrella, represent the places they belong to. Specifically, they represent the functionality of the various spaces, and guides the human bodies wandering within and through. Via these functional structures (objects), the private nature of the bodily in the public sphere is explored; the seemingly haunting scenes, therefore, is charged with the relationship between the human bodies and the places.