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Waves of Code
有机玻璃、发光二极管装置
1400 x 564 x 84 cm
刘佳玉 激流引力 2023 有机玻璃、发光二极管装置 1400×564×84cm 软件: AIGC, Houdini, Touchdesigner, C++ 硬件:数控机床,激光切割 材料: 有机玻璃,发光二极管 标题生成自Chatgpt Liu Jiayu Waves of Code 2023 Acrylic, LEDstrip 1400×564×84cm Software: AIGC, Houdini, Touchdesigner, C++ Hardware:CNC, Laser cutting Title generated by Chatgpt 场刊作品介绍: 实际的海平面上某一坐标全天的风速、风力和风向等物理数据被记录下来,在虚拟世界中重建。在软件中,一个虚拟摄像机利用捕捉到的反射来估算当地的风场和波谱。数据经由 AIGC 生成视觉系统呈现在221条发光二极管有机玻璃组成的雕塑之上。中间的玻璃镜幕反射海平面,从而在虚拟现实场地中形成了一个完整的地平线。通过有机玻璃与 LED 网格,经由镜片般的折射和透射,观众可以发现不同层次的光影,一个宁静而充满能量的场域。通过不同的活动,空间成为虚拟世界和现实世界之间的一个端口,不断传递各种维度的反馈信息,使我们重新思考自身在其中的位置。 Physical data such as wind speed, wind force, and wind direction at a specific coordinate on the actual sea surface throughout the day were recorded and are reconstructed in a virtual world. A virtual camera in the software used captured reflections to estimate the local wind field and wave spectrum. This data is rendered by an AIGC (AI-generated content) visual system onto an installation composed of 221 LED-lit acrylic rods. A mirrored glass panel at the center reflects the sea level, forming a complete horizon in this virtual reality environment. Through lens-like refraction and transmission of the acrylic and LED grid structure, viewers can discover different layers of light and shadow, and a tranquil yet energetic field. Through various activities, the space becomes a portal between the virtual and real worlds, transmitting constantly multidimensional feedback and inviting us to rethink our position in it. 场刊艺术家介绍: 刘佳玉出生于 1990 年,2014 年毕业于英国皇家艺术学院,致力于新媒体艺术的创作实践与研究。现工作生活于北京和伦敦。大自然中的反射现象启发她的创作探讨人与自然之间的多重关系。通过自然语言之间的相互转换,她使用装置作为输送与反馈的端口对虚拟场域与现实世界进行探讨。她的作品植根于东方诗学与哲学的思辨,近年来,她将人工智能作为一种敏感的创作工具,探索人类、计算机视觉与自然之间的互动。她的作品曾在国内外众多知名艺术机构多次展出,并曾参加第 59 届威尼斯双年展。 Liu Jiayu, born in 1990 and graduated from the Royal College of Art in 2014, is a media artist based in Beijing and London who dedicates herself to the creative practice and research of new media art. Reflections in nature inspire her creation and exploration of the multiple relationships between humans and the natural world. Through mutual translation of natural languages, she uses installations as a port of transmission and feedback to explore the virtual spaces and the real world. Her works are deeply rooted in Eastern poetics and philosophy. In recent years, Liu has integrated AI as a sensitive creative tool to explore the interplay between humans, computer vision, and nature. Her artworks have been exhibited many times at multiple renowned galleries at home and abroad. She also participated in the 59th Venice Biennale.